Blake Sebastian began his film and television career at 17. Nearly 15 years later, his work spans factual docu-series, lifestyle and reality television and high-volume digital media, with a reputation for combining strong story instincts with steady post leadership.

Recently, Blake served as a Co-Producer, Post-Supervisor and Writer on the CBC-acquired documentary series “Redemption Run,” where he managed story schedules, supported editors and writers and helped keep creatives and producers aligned. He also built practical systems that streamlined post communication and workflow tracking across the team, including structured scheduling and task management.

Blake has also worked with Big Time Decent on “Underdog Inc.” (AMI) as a Story Associate / Story Editor / Writer / Coordinator, providing story support while also helping coordinate, manage schedules and materials, and supervise a team of loggers and assistant editors to keep deliverables moving cleanly from selects to cut.

Alongside these leadership roles, Blake has worked as a video editor across major unscripted productions, including projects such as “My Pet Ate What?” and “Pets & pickers” at Tyson Media Productions and “Highway Thru Hell” Great Pacific Media. Blake has also delivered extensive short-form digital content for networks such as CBC Television, HGTV and Discovery. His background in journalism, writing, field reporting and video journalism, strengthens his ability to lead story-driven work from early narrative structure through final execution, especially on productions that demand both creative judgment and operational coordination.

 

FACTUAL MEDIA DEMO REEL

AI – ARTIFICIAL INTELLIGENCE DEMO REEL

As of today, AI has the capacity to generate video, both cinematic and animation among other styles. AI can bring still images to life, do one-click VFXs on various media, modify footage and much more. Blake knows how to use PIKA, Gen-2, Stable Diffusion, Wonder Dynamics, MidJourney, and is currently in the process of learning various more AI Tools.